Just stumbled upon this new Blaze Fia Riddim from Dutty Rock Music. It’s been reported to be the newest producing venture from Sean Paul’s camp… actually straight from the musical keyboard that is Sean Paul’s transcendent mind. It’s chock-full of Jamaica’s finest, including a track from Sean Paul called, “Gal a Bawl for More” plus great tracks from Future Fambo, Elephant Man, Assassin, Busy Signal, Wayne Marshall… and plenty of other great artistes. Peep it below.
I was relayed a message from a New York-based media bigman the other day asking, Is Rihanna’s “Rude Boy” jumping off in Jamaica? Considering the source of the question (undisclosed), I concluded the industry up North is trying to gauge “Rude Boy”s relevance in dancehall’s depot down South. Since “Rude Boy” is heavy on Jamaican dance stations and uptown clubs I said, “Sure,” but still a little iffy on whether it’s being embraced by the rudebwoys of dancehall. Then the deejay remixes started popping up. Continue reading →
So… *half smiles, stretches fingers*… back to hybrid sounds, bastardized tracks, dancehall soundsystems and the depths of Adele’s despair. The Heatwave crew has been stirring their summer coals over there in farin ‘ol merry England, dropping a refix on the remix of the soul lounge sound of Adele’s “Rolling in the Deep”. Heatwave calls it […]
Despite Max Glazer’s exclamation that if all dancehall sounded like Spragga Benz’s ‘Duppy Nuh Frighten Vampire’ he’d “be a happy man”, he also understands the importance of the dapper snap of a good dancehall riddim. Glazer’s newest Flatlands riddim is being featured over on the Federation Sound blog and mingles with a few of Glazer’s […]
When a riddim gets dropped with big dancehall names like Demarco, Mr. Lexx, Vybz Kartel and Beenie Man, such as the Exit 21 riddim, it usually gets at least an extended rotation from local Selectors. These days turn over seems quicker then ever. Watching this riddim be pushed to the sidelines has invoked the dancehall […]